Joel Goen’s 105-minute The Tragedy of Macbeth – Released on Apple TV +, reminiscent of German expressionist films, the film Noir, Gothic Horror, Robert Rodriguez’s Sin City (2005), and Arson Welles’s 1948 adaptation. , Denzel Washington’s performance in Training Day (2001), and Frances McDormand’s predictable and tense roles in several Goyan brothers’ films.
This is a movie you will enjoy if you know your Macbeth and / or movies. But I don’t know if the film will ever rise above its origins and impressions. Unlike Macbeth and Joji, or Akira Kurosawa’s Drone of Blood (1957) – a feudal Japanese-Macbeth Macbeth-inspired Macbeth with the Noah influences, Macbeth’s madness never goes off screen. It is so meticulous, explored, and exaggerated that it truly haunts or frightens you. The Tragedy of Macbeth is a masterpiece of cinematic experimentation, and in that sense it is the best cinema ever.
Ethan Goyan, who has co-written and directed 18 films with his younger brother Joel for 34 years, does not want to be part of the project. The Tragedy of Macbeth was created by Joel Goen and his wife Francis McDormand, who previously starred as Lady Macbeth and one of the weird sisters in the 2016 stage adaptation. Bruno filmed the telephone image digitally in black-and-white with a 1: 37: 1 aspect ratio, a pre-widescreen standard for American sound films. Denzel Washington as Macbeth and Francis McDormand as Lady Macbeth.
One of the earlier surprises comes from Katherine Hunter, who has three different sisters in the same body, sometimes split into three, and occasionally turns into a crow. For the three witches, he has distinctive voices, which opens the image on a black screen. It is only when we look at the hunter in the flesh that we feel pride. Her spider body twists and turns like a condenser before she wakes up, and the sound design underscores the half-crowned, half-crow’s climax.
The film manages to entertain as well as inform, with straight lines, shadows and symmetry everywhere you look. Goen, Telefonel, product designer Stephen Desant, art director Jason de Clark, and set decorator Nancy Hai Macbeth wrapping laprints and zircos in the traditional German expressionist / film noir style.
Unlike David Finger’s Monk, Eric Messerschmitt’s digital black and white cinematography felt like an embarrassing idea, and the sleek, grain-free digital sheen actually worked in favor of The Tragedy of Macbeth. Filmed entirely on sound stages, the matte paintings in the exterior scenes of the film, especially the black sky with the main stars, are reminiscent of another cinematic hell on earth, Sin City. The scene where Lady Macbeth sleeps at night and washes her hands is pure gothic horror.
I did not initially believe Denzel Washington and Frances McDormand would be joining as Macbeths, but it would make sense to act after Duncan (Brendan Kleisson) is killed. As Macbeth’s pride increased, Washington expressed his characteristic voice and anger in many of his action hobbies, especially on training day. With Lady Macbeth, now in a state of panic, McDormand turns to the cage and cautiously, a style of performance she had known to us for many years.
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In many ways, Joel Goen’s Bard Noir feels like a future, updated version of Wells’ Macbeth. Welles’s version felt like an ancient flu dream from the Scottish Moors, the Goan Macbeth and the hunting spirit. But because of the production values and talent, his film lacks the barbaric atmosphere of a low-budget Welles film, which is a key element of Macbeth’s story. As a result, it’s amazing to see the craftsmanship at work.
Director: Joel Goyan
actors: Denzel Washington, Francis McDormand et al