Ranjish Hi Sahi Review: Amala Paul Shines In Mahesh Pattin’s Foggy Tribute To Parveen Bobby | Internet series

If you can get questions about the grace and taste of Mahesh Bhatt imagining his extramarital affair with Parveen Bobby for the fourth time, you can enjoy the new Wood series Ranjish Hi Sahi. “Then what if there is pain?” The title, which means, was inspired by Ahmed Faraz Ghazal of the same name, famous by Mehdi Hasan. It is about a lover who has been separated for a long time. Pattin’s effort to do justice to the mounted topic is commendable.

Talented acting, especially Amala Paul Bobby stand-in Amna Parvez, and director Pushdeep Deep Bhardwaj’s catchy screenplay keep Ranjish Hi Sahi in the spotlight. Tahir Rajpasin’s is enough to make Mahesh Bhatt’s latest on – screen version of Shankar Watts an aggressive, fighting filmmaker. Amrita Puri brings a lot of dignity to the role of his wife Anju who was inspired by Kiran Patel.

Butt previously explored his relationship with Bobby when he married Kiran Patti in the films Arth (1982) and Fir Teri Kahani Yaat Aayi (1993). In 2006, he returned to the course through Wo Lamhe, directed by his son-in-law Mohit Suri. By comparison, Ranjish Hi Sahi, being a web series, takes the time to provide a 360-degree view of Mahesh Bhatt-Parveen Bobby-Kiran Bhatt history.

Art sees the relationship from the perspective of the struggling wife, who is trying to create a new life after the husband leaves her. Fir Teri Kahani Yaat Aayi and Woh Lamhe were less attempted and were completely removed from the real life events that inspired them.

In contrast, Ranjish Hi Sahi takes audiences straight in the 1970s when Mahesh Bhatt was a fighting filmmaker and one of the best stars of the day was Parveen Bobby. We get a lot of moments where this character of a real person is inspired. Kabir Bedi, Zeenat Aman, Shakti Samantha and many more. (The cast chosen to play Vinod Kumar and Amitabh Bachchan gave me a headache, especially when Tahir Rajpasin played the role of Mahesh Bhatt). We understand Mahesh Bhatt’s humble appearance when he started as a director.

What is especially new in Ranjish Hi Sahi is the empathy and compassion that each character explores. As a husband, father, lover, son Mahesh Bhatt is like forgiving himself of his faults and sins. It is beautifully portrayed in a dialogue scene in the final episode between Shankar and his mother Rukshar starring Zarina Wahab.

I was scared on many occasions of trying to justify the existence of a writing show. It continues to be suggested that Butt is indebted to Bobby and his memory, for the last time, he told his story honestly because he was the biggest part of his life, and Bobby’s legacy has been tainted by rumors and gossip about her for years. The list goes on and on, including mental health, addiction, and prostitution.

A quick review of the real life story we know of Mahesh Bhatt for using cinema as a confession: Mahesh Bhatt is the son of filmmaker Nanabai Bhatt and actor Shirin Mohammad Ali. (This conflict over a Hindu father never legitimizing his relationship with his Muslim boyfriend was imagined in Pat’s last film, Jagm, as a director, before returning with Unwanted Sadak 2 in 2020). In the 70s, Butt sought to meet his career as a director while at the same time trying to fulfill his creative vision.

Ranjish Hi Sahi Review: Still of Amala Paul and Tahir Raj Pasin series.
Ranjish Hi Sahi Review: Still of Amala Paul and Tahir Raj Pasin series.

A hurricane affair with Parveen Bobby, who was new to the relationship with Kabir Bedi, caused a setback in Bhatt’s personal life. But it turned out to be the booster shot he needed for his career. Butt eventually left Parveen Bobby, who suffered from paranoid schizophrenia and left the film industry in 1983. The year before, Art’s release bar had gained instant popularity. He died in 2005. The following year, Butt released Wo Lamhe.

South Indian star Amala Paul, who is very popular for Tamil films, is actually more than just Kangana Ranaut who starred in previous remakes of Smita Patil, Pooja Bhatt and Parveen Bobby. With very expressive eyes, Amala brings a terrible intensity to her scenes. It is a teacher-supporting character that offers a hundred different ways to express his range. She is incredibly good at switching between emotions in one scene, which was well seen when Amna finally meets Anju in the last episode.

read more: Gown Paneki Shikharvati Review: Naseeruddin Shah and Raghuveer Yadav Can’t Save Bad Writing

Bhardwaj’s light melodramatic treatment is the usual butt of street-level realism. Compared to today‚Äôs average web series, Ranjish Hai Sahi feels old-fashioned: the scenes are allowed to last, the shows can breathe, the background score does not penetrate. As expected from the Butt production, the show has a solid soundtrack, featuring music by Abbas & Shreyas and Prasad Sashte and lyrics by Ravi and Shakeel Azmi.

Despite the exploitative winds blowing around the campus, Ranjish Hi Sahi often touches on it with enthusiasm. What we see is the story of a man trying to do the right thing. With Arth, for example, Butt had little compassion for himself. This was clearly the result of guilt. Ranjish Hai Sahi feels the fall of his life as a result of foggy memories.


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